Artwork Entries

For this work I’ve borrowed from Macrobian map forms, commonly used in medieval manuscripts to present remnants of sciences and philosophies developed during Antiquity. Depicting

On the way to N’Dhala Gorge was created in my studio after a painting sketch was done on-site. I have used red oxide, pink and

Pioneer artists first illustrated Echidnas in 1792, the early images were curious, quaint and lacking proportions. This work is inspired by colonist, amateur, naturalists, who

Cleared areas regrow, live returns to colonise seemingly dead areas: I never fail to be impressed by the way nature overcomes adversity. This painting is

With this piece I wanted to juxtapose the urban development with the natural world. It’s a theme I’ve explored quite a lot over the years

This work reflects on the visit by the Australian landscape artist Fred Williams in August of 1957, to the Nattai River area close to my

Using the familiar and sentimentality this work deals with an emotional connection to the past but also hope for a future. It explores a form

In 2014 and 2022 I sat in orange dirt at Fowlers Gap Research Station, north of Broken Hill in Wiljaali Country, and made drawings. On

I think of my rainforest paintings as glimpses into a parallel universe where the modern Mamu Aboriginal woman lives freely on her traditional lands in

Gang-Gang Cockatoos, known for their brilliant red crests, were once ubiquitous and iconic in some parts of Australia, including the area where I grew up,

Presented in the form of a sculptural artist book FRAGMENTS DISPLACED contains paper scrolls, each with imagery reflecting the hues of Australia’s precious waters, and

The high country is an environment of extremes, yet the delicate and complex flora thrive in a way that is very compelling to me. My

My personal work has aways been inspired by, and taken its cues from, nature. My current work tends to focus on a conservation and environmental

My art practice is interwoven with citizen science and the natural world. Coming together with like-minded volunteers for seasonal snipe counts or the weeding of

In creating my Endangered series, I aim to focus awareness on the natural world in crisis. Despite being such an iconic emblem for Australia, the

Double Wormhole is a large abstract drawing about the night sky. Its colour palette and title suggests astronomical objects. Its method of creation suggests the

I combine an interest in historical narratives and native flora and am exploring the work of the early naturalists in Victoria’s Mallee. The region has

Calabash, my origin, the place I identify with the most, the home of my great grandparents, my grandparents, and our family. A working farm in

Blue Sky Mine (Diptych) represents the barren land in country after the completion and abandonment of mining once the land is no longer of commercial